Additional Topics
These chief executives chart the direction of a company, manage daily operations, and ultimately are responsible for all business decisions, including selling or acquiring catalogs and signing new writers. At Windswept Pacific, Jonathan Stone oversees all aspects of the day-to-day operations and provides motivation and direction for the staff of 60. His primary focus is to discover and sign songwr…
The executive officer oversees the day-to-day operations of the company by managing the creative and administrative personnel, staff songwriters, and the acquisition and exploitation of catalog. Major Bob president, Lana Thrasher, supervises the administrative and creative staff (which includes songwriters), the exploitation of catalog, and is also heavily involved in the production …
This area of music publishing directs the creative affairs of the company with regard to the exploitation of songs, acquisition of catalog, and signing of new writers. At Sony/ATV Music, Woody Bomar's chief responsibilities are to manage and motivate the creative department and staff songwriters, and to exploit the song catalog by securing recordings and licensing use to film, televi…
The goal here is to discover and sign new writers and exploit the catalog of songs. Additionally, you want to further develop the careers of signed writers. As EMI Vice President of Creative East Coast, Paul Morgan's main duties are to find and sign new talent, whether they are artist/writers, producer/writers, or songwriters, to work with the company's roster of staff …
In this position, you manage the library of songs and are responsible for receiving and logging into the computer system new song recordings and lyrics. Further duties include ensuring the demo session master tapes are copied and stored, overseeing the complete music publishing library, working with the staff who make tape copies, and interfacing with the creative staff. A major publisher like Son…
In the licensing arena, you market and exploit the catalog of songs to film and trailers, television programs, commercials, advertising, and new media communities, such as CD-ROM and video games, for synchronization. You conceive and manage a variety of music marketing campaigns, and direct and motivate department staff. A love of all types of music, as well as a keen interest in film and televisi…
Those who work in business affairs are responsible for legal and financial management of the company's assets. They draft, negotiate, and approve contractual agreements, and are responsible for the acquisition and exploitation of assets. Business affairs protects against copyright infringement. You should have a law degree or substantial legal background, with knowledge of worldwide copyrig…
In this department, workers file paperwork to copyright music compositions, register songs with the appropriate performance society (ASCAP, BMI, SESAC) or Harry Fox Agency and any other collection agents or representatives. They issue appropriate licenses for use of songs (some administration personnel quote and negotiate synchronization or other use fees), collect roya…
Personnel in this area manage the company's international music publishing assets. At BMG, Ron Solleveld is specifically responsible for the well-being and running of the company's music publishing concerns in Latin America, Canada, Eastern Europe (Czech Republic, Poland, and Hungary), and to some extent Spain and Asia. The executive in each respective country reports d…
The focus here is to facilitate communication between the company's American office and their foreign offices and affiliates throughout the world. They should ensure that each has the necessary paperwork to protect copyrights and collect appropriate earnings of both the firm's catalog and songs that they subpublish outside the United States. Administrators also provide notification o…
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User Comments
8 months ago
Dear Sir/ Madam,
I have 11 new songs, looking for a record deal.
Alfred Earl