APPENDIX VI—BOOKS
Brown, Blain. Motion Picture and Video Lighting. Newton, MA: Focal Press, 1996.
Buzzell, Linda. How to Make It in Hollywood: All the Right Moves. New York: HarperPerennial, 1996.
Dunne, John Gregory. Monster: Living Off the Big Screen. Vintage Books, 1998.
———. The Studio. Vintage Books, 1998.
Ensign, Lynne Naylor and Robyn Eileen Knapton. The Complete Dictionary of Television and Film. New York: Stein and Day Publishers, 1985.
Fitzsimmons, April. Breaking & Entering. Los Angeles: Lone Eagle Publishing Company, 1997.
Goldman, William. Adventures in the Screen Trade: A Personal View of Hollywood and Screenwriting. Warner Books, 1989.
———. Which Lie Did I Tell?: More Adventures in the Screen Trade. Vintage Books, 2001.
———. William Goldman: Four Screenplays With Essays: Marathon Man, Butch Cassidy and the Sundance Kid, The Princess Bride, Misery. Applause Theatre Book Publishers, 1997.
Gottlieb-Walker, Kim, ed. Setiquette. Los Angeles: International Photographers Guild, 1997.
Harmon, Renee, James Lawrence, and Jim Lawrence (Contributor). The Beginning Filmmaker's Guide to a Successful First Film. Walker & Co., 1997
Harmon, Renee. Film Directing: Killer Style & Cutting Edge Technique. Los Angeles: Lone Eagle Publishing Company, 1997.
Houghton, Buck. What a Producer Does: The Art of Moviemaking (Not the Business). Silman-James Press, 1992.
Levy, Frederick. Hollywood 101: The Film Industry, (How to Succeed in Hollywood Without Connections). Los Angeles: Renaissance Books, 2000.
Litwak, Mark. Reel Power. New York: Plume, 1986.
Lumet, Sidney. Making Movies. New York: Vintage, 1996.
McAlister, Michael J. The Language of Visual Effects. Los Angeles: Lone Eagle Publishing Company, 1993.
Merritt, Greg. Film Production: The Complete Uncensored Guide to Filmmaking. Los Angeles: Lone Eagle Publishing Company, 1998.
Phillips, Julia. You'll Never Eat Lunch in This Town Again. New American Library Trade, 2002.
Resnik, Gail and Scott Trost. All You Need to Know About the Movie and TV Business. New York: Simon & Schuster, Inc., 1996.
Seger, Linda and Edward Jay Whetmore. From Script to Screen: The Collaborative Art of Filmmaking. Owlet, 1994.
Seger, Linda. Making a Good Script Great, 2nd Edition. Samuel French Trade, 1994.
———. When Women Call the Shots: The Developing Power and Influence of Women in Television and Film. Henry Holt, 1997.
Squire, Jason E., ed. The Movie Business Book. New York: Simon & Schuster, 1983.
Taub, Eric. Gaffers, Grips, and Best Boys. New York: St. Martin's Press, 1987.
Taylor, Hugh. The Hollywood Job-Hunter's Survival Guide/An Insider's Winning Strategies for Getting That (All-Important First Job and Keeping It). Los Angeles: Lone Eagle Publishing Company, 1992.
Uva, Michael G., and Sabrina Uva. The Grip Book. Woburn, MA: Focal Press, 1997.
Wilson, John Morgan. Inside Hollywood: A Writer's Guide to Researching the World of Movies and TV. Cincinnati, OH: Writer's Digest Books, 1998.
———, Introduction by Peter Bart, Editor in Chief, Variety. Variety Power Players 2000. New York: A Perigee Book, 1999.
Additional topics
- ART DEPARTMENT - Job Title: Production Designer, Job Title: Production Designer, Commercials, Job Title: Art Director
- APPENDIX V—MAGAZINES
Job Descriptions and Careers, Career and Job Opportunities, Career Search, and Career Choices and ProfilesCareers in Film and Television