the visual effects department is a leap of faith. Temporary versions of the
shots allow them to see they have hired the right person to deliver the
effect. "We give them a lower resolution version on video so they can see
the direction the effect is going in. It is a lot easier to implement any
changes they have at this stage. Once everything is locked down per-
fectly, a change could send us back to square one. Keeping the lines of
communication open is important."
Once temps have been approved, the final render is made. "Basically,
we have the computer complete the shot at film resolution. The sequen-
tial files are then transferred to a data tape and delivered to a service
bureau, where the sequences are read into a laser film printer, which
creates a new negative for the film--essentially a duplicate negative with
the newly created visual effects in place. Then hopefully you get paid and
get a credit!"
Special Skills
Visual effects artists must have advanced computer skills and an
understanding of cutting edge technology as it applies to the creation of
visual effects. A well-rounded background in filmmaking is a must.
Advice for Someone Seeking This Job
"Learn filmmaking," says Magliochetti. "Don't just learn computers.
Film is a very collaborative medium; you need to be aware of other
people's jobs. More importantly, you need to know film itself: you need
to know a little about the chemical structure of film--how it works and
how it reacts to light. Creating the effect is only part of the equation.
Ultimately, you must make the effect look like it was shot on film. Many
computer people forget this. That is why a lot of effects are digital
looking. The average viewer can't really tell what is wrong with a shot,
but it doesn't look right. The visual effects person's job is to integrate the
digital effect into the film seamlessly, so that it looks like it was always a
part of the film."
"Learn to draw, which teaches you how to see, and then go out and
make a little movie--a little short. Make as many of them as you can
because the process teaches you almost everything you need to know to
go out and do a visual effects supervising job . . . Learn how to be a film-
maker," advises visual effects supervisor Jeffrey Okun. From the short
films you create, put together a reel of your best work to show potential
employers. "I recommend that you go to work at a little visual effects
house where they will give you an opportunity to grow, as opposed to a
big visual effects house where you'll be a runner or the guy logging stuff,
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