· Rerecording Mixer: assist the sound editors to adjust recorded sound
quality.
· Supervising Rerecording Mixer: combine the dialogue, music,
effects, and overdub tracks, and sync them to the film.
Positions involved in creating, selecting, and licensing music for the
film or television program's score, sound track, and trailer include:
· Composer and Songwriter: create original music to introduce and
underscore the story line.
· President, Senior Vice President, or Vice President of Music: secure
music for film, television, and sound track use.
· Music Supervisor: find and license music for film, television, and
sound track use.
· Business Affairs or Music Clearance and Licensing: obtain music
licenses.
CREATION, RECORDING, AND MIXING
OF SOUND AND MUSIC
Job Overview
The production sound mixer is the head of the on set sound depart-
ment and is responsible for recording the actors' dialogue during the
filming of the production.
After reading the script, mixer Tim Cooney determines what micro-
phones and equipment will be needed. During filming, he records room
tone and sound ambiance, directs the boom operator, and adjusts sound
levels. Later, any unclear dialogue will be rerecorded by the ADR super-
visor and replaced. The dialogue track will then have music and effects
added to complete the production sound track.
Special Skills
"To work in sound you have to know electronics, simply because
you're going to be fixing cables and electronic equipment," says Cooney.
JOB TITLE: PRODUCTION SOUND MIXER
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