Special Skills
"A strong working knowledge of advanced color theory, lighting prin-
ciples, film stocks, and camera formats," is essential for a makeup artist,
according to Patterson. "You also need knowledge in makeup principles
as applied to these elements, and that includes skin tones, application
techniques, cosmetic chemistry, product knowledge for proper selection,
and the right tools to do the job. It is helpful to know about postproduc-
tion techniques as well. For students, take classes in school such as art
(for color theory and composition), and any video or stage production
classes (for camera format and lighting techniques). Oftentimes in high
schools or colleges, they offer a stage makeup class, and I strongly recom-
mend that experience. You will have a chance to study facial anatomy
and work in three-dimensional makeup, a very important concept and
skill to have."
A Typical Workday
On a typical shooting day, Patterson is on the set 20 minutes before
call time to set up her materials in the trailer or room designated for the
makeup department. "Arriving early gives me a chance to get the kit laid
out according to my script breakdown (requirements) and charts I have
prepared for that day's shooting schedule (principle actors, secondary
characters, etc., and the makeup requirements for each)."
Depending on the number of talent to be made up, Patterson may
have a second to assist her. "I think of my seconds as more of co-equals,
working with me as a team, not just assistants doing powder puff
mechanic work. I pick people who have a high degree of ethics, have the
skills to duplicate continuity efficiently, can work quickly and indepen-
dently without oversight but in line with the key, can think on their feet,
and solve problems out of their kits." Patterson works closely with the
hair and wardrobe departments to ensure that the talent is ready and on
time for their scenes.
Throughout the day, makeup must be maintained to ensure continuity.
Polaroid photographs are taken for reference. "If there are any makeup
changes or effects scheduled, then we also take care of that. When
filming wraps for the day, we take the talent back to the makeup room
and remove the makeup and/or effects makeup from their faces, and
bring the skin back to prefoundation status. Next, we clean up the room
in prep for the next day's shoot. Then back to the hotel (if on location) or
home, where I look over the next day's crew schedule, shot sheet, and
script requirements and charts."
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