Job Descriptions and Careers, Career and Job Opportunities, Career Search, and Career Choices and Profiles :: Music for Film, Television, Advertising, and New Media

Music for Film, Television, Advertising, and New Media - Page 13


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pieces of business, that you may not necessarily hear if you're just in one specific
position in an office. I think when you're an assistant, you have a good opportunity to
be exposed to a lot of different sides of the business. You can learn how things are
done and at what stage they're done."
JULIE BUTCHCO, MUSIC CLEARANCE FOR DREAMWORKS
Julie Butchco's introduction to the music business came as a result of her high
school student government activities, when she was assigned to hire bands and orga-
nize entertainment for school dances. Upon entering the University of California at
Santa Barbara, she considered going into entertainment law, but wasn't convinced she
wanted to be an attorney. "I just decided to get a job in the industry and see if I liked
it." Resumes and interviews failed to produce results, until a cousin was able to get
Butchco an interview with the producer of
The Young and the Restless through a
contact with one of the show's writers. The interview was purely informational, as the
show had no openings, but did result in a referral to a producer at Columbia Pictures
Television. After that interview she was hired as an assistant in the television licensing
department.
After a few years in television licensing, Butchco landed an assistant position in
film licensing. Not anticipating another move quite so soon, it came as a surprise
when a friend called in 1996 to say he had suggested her for a position at newly
created DreamWorks, and she was requested to call Todd Homme for an interview.
CASE STUDY:
THE LEAST FAVORITE THING ABOUT THIS JOB:
"All the paperwork that lingers on for months on end, sometimes, after
a film is done. I wish things could be wrapped up as quickly as they
are started."
THE BEST THING ABOUT THIS JOB:
"I love the feeling you get when you can finally clear a song with an
artist or the songwriter. A song that your director really wants and you
know it's going to be great for the film, but it's a really hard clearance,
or it might be particularly expensive. Just knowing that in the end,
you got the approval, and you got it at a price that you thought was
fair, and you know that everyone was just waiting for that song to
clear because they really wanted it in their movie. It's a really great
feeling to know you helped."
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