TAMMY ROGERS, MUSICIAN, CO-OWNER OF DEAD
RECKONING RECORDS
The Texas home where Tammy Rogers grew up was
filled with musical instru-
ments and sounds. "My dad always had bunches of
instruments lying around the
house," she recalls. "My earliest memories are
of my parents singing Porter [Wagoner]
and Dolly [Parton] songs." Piano was the first
instrument she learned, later adding
mandolin to her repertoire. But at age ten, the
violin became her passion. "It became
what I was all about. It was almost second
nature, in a sense." She spent her teen years
performing around Texas in her father's
bluegrass band, and won a full scholarship to
Southern Methodist University in Dallas as a
classical violin major. She later trans-
ferred to Belmont University in Nashville to
finish her degree. After graduation, she
moved to east Tennessee and played in a
bluegrass band for a couple of years.
When a friend recommended her for a job playing
fiddle and mandolin, and
singing harmony with Patty Loveless, Rogers was
sure she would never be considered.
To her amazement, she was hired in 1990 and
spent the next 14 months on the road.
"I was totally green. I had never played in a
band with a drummer, never played in an
electric band. I had either played classical
music or bluegrass." Ready for a new chal-
lenge, when Rogers was offered a gig with
Trisha Yearwood, she accepted and spent
another 15 months on the road. Despite her
enjoyment at working with both artists,
Rogers felt disappointed at not being asked to
play on their records. (Nashville draws
a distinction between road and studio
musicians.) She decided she wanted to have
her own work documented on
recordings.
Once Rogers made the decision to actively
pursue studio work, the calls started
coming in and she was quickly able to make the
transition from road musician to
studio player. She spent much of her time in
Los Angeles for the next two years,
playing on pop and alternative country
recording sessions with artists like Maria
McKee, Victoria Williams, and Rosie Flores.
Just when she was about to permanently
move to California in 1995, she began getting
more work in Nashville, and was soon
recording with artists like Pam Tillis, Matraca
Berg, and Neil Diamond. That same
year, Rogers and several musician friends
formed the independent record label, Dead
Reckoning, to release music considered outside
the Nashville mainstream. Since that
time, she has remained in demand for session
work both in Nashville and Los
Angeles.
www.deadreckoners.com/artists/tammy_rogers.html
BILLY THOMAS, MUSICIAN, SINGER
"I started my first band when I was 12,"
recalls Billy Thomas, whose first drum set
was a discard from his older brother. "I got
the drum set out of the attic and started
playing it when I was 11." Thomas taught
himself by playing along to Beatles and
Gene Krupa records, and learned to read music
in the school band. Encouraged by
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