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Musicians On Tour - Page 9


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monitors, and eventually became the front of house guy. I liked every position and
started seeing that music is something I wanted to do." Mostly self-taught, Alvarez
later enrolled in a course at the Audio Engineering Institute in San Antonio. "I would
sit in that course to just gather information on how things are done in a basic form
so that I knew what was going on--so I used the right terms and lingo when I was
hanging out with the real dudes. I learned a lot, but most was self-taught. To a certain
degree, it's all about your own ears. Hearing everything exactly, or trying to hear it,
the way it's supposed to be heard."
After a year at UTSA, he set aside architecture for a full-time career in music, and
landed a gig with Century Music Systems, a full-line production company. Over the
next six years, Alvarez continued to hone his skills, working with artists like Robert
Earl Keen. Along the way he met steel guitar player/producer Lloyd Mains. Impressed
with Alvarez's skill mixing Keen, Mains asked if he would be interested in mixing the
Dixie Chicks, his daughter Natalie's band. "I had heard about them. Their first single
had just come out, so I gave him my business card and said, `Sure, call me if they ever
need someone.' I really didn't think much about it." Three months later, Senior
Management's Simon Renshaw telephoned and offered Alvarez the job. He joined up
THE LEAST FAVORITE THING ABOUT THE JOB:
"What I hate the most is exactly what I love most: having to overcome
challenges. At times it's a little stressful."--FA
"This last summer I probably worked between 90 to 98 hours a week.
This past March I did 70 to 80 hours, with only a day off each week.
The long hours start to get to you."--RO
THE BEST THING ABOUT THIS JOB:
"It's a different scene every day out there [on the road] in the sound
business. Different faces, venues, cities--that's the best part of it.
Seeing a lot of different things and trying to overcome the chal-
lenges."--FA
"It is exciting to realize some of the people I've worked with: Loretta
Lynn, Michael Bolton, Ray Charles, Spyro Gyra, Roberta Flack.
Because I was a piano player, Billy Joel has been an idol of mine since
high school. Working with him--standing three feet from him while
he played for 45 minutes--that was probably the biggest moment in
my career so far."--RO
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