Job Descriptions and Careers, Career and Job Opportunities, Career Search, and Career Choices and Profiles :: Musicians On Tour

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LAURA FORD BARTSCHI, GENERAL MANAGER,
STUDIO INSTRUMENT RENTAL (SIR)
Bartschi's introduction to the entertainment industry was as a receptionist at a
talent/modeling agency, where she later became an agent. Born and raised in Detroit,
she moved to Nashville in the early 1980s. "I don't write, I don't sing, I don't play," she
says, but she did possess good organizational skills and was good at working with
people--strong assets to any employer. After the agency downsized, she landed a job
working for producer/label head/publisher Harold Shedd at the Music Mill. There she
met the general manager of SIR and learned the company was looking for an office
manager. After she interviewed with the owner in New York and completed a series of
tests, she was offered the job. As office manager she learned all she could about every
aspect of the company, and was rewarded with more responsibility. When her boss
left the company, she was offered the position of general manager, a title she has held
since 1993. www.sirtn.com
PRODUCTION
PRODUCTION DESIGNER AND DIRECTOR · SET AND LIGHTING DESIGNER
JOB OVERVIEW
The designers formulate a concept for artists' live performance and either create
or oversee the design of the stage, lighting, special effects, and choreography. They
are involved in song selection, the pace of the show, and the direction of the overall
performance.
PREREQUISITES
To succeed, you should have a background in set or lighting design, or both, and
the ability to create unique show presentations that are feasible to construct and
transport. Willie Williams was once told that he possessed "`a rare combination of
eccentricity and common sense.' When you're designing a rock show, you're trying to
show people something that they've never seen before. Obviously, you need a lot of
imagination. It really requires both your right brain and your left brain; it is a crucial
combination because if you can't turn something you've dreamed up into something
that that will work, and that will travel, the tour will be a disaster."
CASE STUDY:
University of Phoenix
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