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Music publishing - Page 12


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PAUL MORGAN, SENIOR DIRECTOR, CREATIVE SERVICES,
CHERRY LANE MUSIC PUBLISHING
In 1983, Paul Morgan was working a 9 to 5 clerk's job in the pension department
of a huge firm in England, never thinking that his dream of a career in music was
possible, when through a distant acquaintance, he was able to get an interview with a
music agent. "The fact that I knew someone who knew someone who knew someone
that worked in the industry suddenly sparked my interest. As soon as there was a slim
chance, I was on it immediately." Although the agent had no job to offer, the meeting
proved the adage of "being in the right place at the right time" true. One week later,
the head of Atlantic Records walked into the Warner Brothers music publishing
office, where the agent's wife worked, and asked if anyone knew of a young man
interested in scouting talent for the American market. Word got back to Morgan, who
came in for an interview. Instructed to return with his ten favorite singles the follow-
ing week, he proved he had an ear for talent when a song by The Gang of Four
prompted the Atlantic executive to place an excited call to the United States office to
acquire it.
Continuing to work his day job to pay the bills, Morgan saw three to four bands
every night for the next year, bringing in acts like New Order, Dream Academy, and
The Cult, all of which Atlantic passed on. When these acts were immediately signed
CASE STUDY:
THE LEAST FAVORITE THING ABOUT THIS JOB:
"As I look at my cluttered desk, I'd have to say it's the minor details
that I like the least. The administrative side--those things tend to bog
me down. My real role here is, first and foremost, to be proactive with
the roster and acquire new acts, etc. I'm very thorough; I leave nothing
to chance. It means I spend a little bit less time listening to music."
THE BEST THING ABOUT THIS JOB:
"The idea of finding someone that has yet to be discovered by anybody
else, and being able to take that vision of what I see that they can
become and help to nurture that within the artist or the songwriter.
Hopefully, in the long term, see that writer or artist fulfill their
dreams. Frequently, people that want to be a rock and roll star have
wanted that for an awfully long time. To see those dreams become ful-
filled is a wonderful thing."
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