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The American flapper, who came into existence dur-
ing the revolution of manners and morals described by
Allen and who owes her name, in part, to the British
flapper, came to be associated in the 1920s with the
illustrations of John Held, Jr., America's leading car-
toonist of the Jazz Age. In film the first flapper was
Colleen Moore, who appeared in the movie Flapperdom
in 1922, and was shortly joined by Clara Bow, the "It"
girl, who came to be considered as the quintessence of
the flapper. But it is Fitzgerald who is, over and over in
the popular magazines of his time, credited with invent-
ing or discovering the flapper, as the following samples
demonstrate. A 1921 article in Shadowland, entitled
"Fitzgerald, Flappers and Fame," acknowledges
Fitzgerald as "the recognized spokesman of the younger
generation . . . since the publication of his now famous
flapper tale `This Side of Paradise.'" In a newspaper
clipping from 1922 pasted in the Fitzgeralds' scrap-
books, Fitzgerald is called "The Flapper Laureate."
Another from the same period is headlined "F. Scott
Fitzgerald Tells How He Discovered the Flapper." Even
into the 1930s editors and reviewers continued to asso-
ciate Fitzgerald with his tales of the Jazz Age and to
echo the call for the flapper stories. Magazine editors
continued into the mid-1930s to ask for the old Fitzger-
ald stories on flappers and "flask gin," but by the mid-
1920s he had given up his creation for which he is now
perhaps most often remembered in favor of fictional
individuals that he hoped would defy stereotyping. The
popular magazines of the Jazz Age, now in the bound
periodicals section of most libraries, remain the most
accessible shrine, though now perhaps a dusty one, to
the Fitzgerald Flapper.
1.
The best title for this passage would be:
A.
Social Customs of the 1920s.
B.
The Novels of F. Scott Fitzgerald.
C.
F. Scott Fitzgerald: Creator of the Ameri-
can Flapper.
D.
America in the Post–World War I Decade.
2.
Which of the following statements best
describes the origin of the term "flapper" as it is
explained in the passage?
A.
It refers to a young bird, colloquially
known as a "flapper."
B.
It originated in Britain and at one time
referred to a young girl who had not made
her entrance into society.
C.
It was originally an American term that
was associated with the flapping arm
movements of women who where dancing.
D.
No one is certain where the word "flapper"
came from.
3.
According to John O'Hara:
A.
a particular quality of the British flapper
was that she had not yet found a husband.
B.
Fitzgerald did not invent the flapper.
C.
flappers had been associated in Britain
with prostitution.
D.
the movies are primarily responsible for
popularizing the flapper.
4.
Frederick Lewis Allen attributes the develop-
ment of the flapper to:
A.
the war neurosis.
B.
women's growing independence from the
drudgeries of housekeeping.
C.
the postwar revolution in manners and
morals.
D.
all of the above.
5.
Which of the following statements is/are sup-
ported by the passage?
A.
Fitzgerald is the creator of the flapper in
fiction.
B.
Fitzgerald was writing about flappers in
the mid-1930s.
C.
Clara Bow was the first flapper in film.
D.
Fitzgerald wanted to continue writing
about flappers but the public had tired of
his stereotype.
6.
Which of the following is/are neither supported
nor contradicted by the passage?
I.
Fitzgerald will be remembered as a better
short story writer than a novelist.
II.
Fitzgerald will be remembered for creat-
ing the flapper in fiction.
III.
John Held, Jr. was a better cartoonist than
writer.
IV.
Fitzgerald gave up writing about the flap-
per because he wanted to create less
stereotyped characters.
A.
I, II, and III
C.
II and IV
B.
I and III
D.
IV only
7.
The passage would support:
A.
a conclusion that Fitzgerald's stories and
novels written after he gave up writing
about the flapper were judged by literary
critics as superior to those written during
his "flapper period."
B.
a conclusion that the flapper appeared both
in fiction and in film.
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